This body of work draws from personal histories of diaspora and constant movement, slicing and sculpting figures while queering the landscape to consider otherness and artistic inheritance. With grayscale urgency, I revisit and rethink my family album in an act of reclamation, recalling photographic forefathers of the male body while de-centering canonical melancholy through chiaroscuro mysticism.
Nature, the constant witness of our existence, anchors the work while extending it beyond geopolitical specificity, complicating ideas of belonging. Rejecting narrative closure, the photographs operate as fragments, generating resonance and accumulating meaning in relation.
Figuration is shaped by migration, memory, and shared cultural experience, resisting fixed identification. The resulting installations function as critical extensions of the work, where shifts in scale, repetition, and spatial relationships across walls unfold through viewer movement.
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